Italian multi-instrumentalist Alessio Ferrari, under his moniker Upupayāma, is back with his latest work, Mount Elephant, set to release on September 13th via Fuzz Club. The lead single, “Moon Needs The Owl Pt. 1,” offers a preview of the album’s eclectic blend of influences and Ferrari’s unique musical vision. “Moon Needs The Owl Pt. 1” … Read more
Meatball Sludge, the experimental rock band from Gothenburg, Sweden, presents their latest track, “Disco Fang.” This chill, spaced-out track offers a steady beat that evolves into an intricate blend of funk and jazz influences. Opening with a percussive shuffle, “Disco Fang” quickly develops layers of funky guitar and syncopated chords, creating a groove that hooks … Read more
Apifera’s latest track “Iris Is Neil” begins with a rolling drum groove reminiscent of the Beatles’ “Tomorrow Never Knows,” combined with droning tones and atmospheric synth elements. The result is a psychedelic soundscape that echoes the classic vibes of the 60s, complete with reversed guitar effects and spacey, otherworldly vocals. This track stands out as … Read more
Norwegian trio Fog Mountain’s latest single, “Lightning,” delivers a mysterious and haunting experience reminiscent of 70’s movie soundtracks. The track opens with an enigmatic guitar riff over a brooding bass line, setting the stage for ambient background sounds that evoke a spacious, almost otherworldly atmosphere. Percussive elements and an organ gradually propel the track forward, … Read more
Leon Rosen introduces his latest single, “I’m Driving,” a charming pop track that harks back to the golden era of 70s pop with a modern twist. Laden with echoes of iconic artists like The Beatles, Gilbert O’Sullivan, and Harry Nilsson, Rosen delivers a well-structured, classic vibe infused with passion and nostalgia. “I’m Driving” captures the … Read more
The Painted Roses, a band known for their distinctive blend of southern rock, western folk, and psychedelia, have released their latest track, “Tired Eyes.” Opening with poignant solo guitar elements, the song soon blossoms into a rich tapestry of sound as the full band joins in. Dual vocals, led by a powerful female voice with … Read more
Nepal Death’s latest offering, “She Demon (The Exorcism of the Rakshasi),” is a track that reverberates with the essence of the 1970s psychedelic era, drawing parallels with the rhythmic styles of The Rolling Stones’ “Sympathy for the Devil” and the vibrant energy of Primal Scream’s “Movin’ on Up”. The song is an intricate blend of … Read more
The River Otters, a post-folk trio renowned for their unique blend of cultural memory and innovative sonics, have just release a new album titled “Adshusheer”. The title track delves into the history of a vanished village, combining elements of ancient melodies and haunting instrumental whispers to craft a compelling narrative through music. The album’s centerpiece, … Read more
Jespfur, the avant-garde multi-artist, is back with his second and final single, “strapped,” from the upcoming project “POBS,” slated for release on 12-01-2024. This intriguing track showcases Jespfur’s ability to blend grungy guitars, affected vocals, and a loft groove, creating a musical fusion that defies easy categorization. “strapped” is a sonic journey that takes listeners … Read more
“High Chair” brings forth an intriguing sonic experience with their track, “Terra Senza Tempo,” which serves as the title song of their latest album. As the synth pads gradually build and delayed synths provide glimpses of their presence, the track sets a curious tone. It soon evolves into a rockier vibe, featuring interesting rhythms and … Read more