Grismask’s track “Spiritual Dentist” is a wild and unpredictable journey into the realms of free jazz punk. From the very beginning, the track exudes a manic energy that grabs hold of the listener and refuses to let go. The vocals, reminiscent of a punk version of Captain Beefheart or Mark E. Smith, along with the spoken yet melodic approach akin to Frank Zappa’s Tinseltown Rebellion era, add a unique and captivating flavor to the song. Musically, “Spiritual Dentist” is a whirlwind of dynamic and eccentric elements that push the boundaries of traditional genres.
Featuring the lead singer from the critically acclaimed Viagra Boys, Grismask is a force to be reckoned with in the free jazz punk scene. With their unabashed and unapologetic approach, they are sure to appeal to those seeking a truly unconventional musical experience.
Following their debut album “Grismask,” the band returns with “Spiritual Dentist,” the first single from an upcoming album recorded live and mostly improvised at the legendary Atlantis studio in Stockholm under the guidance of producer Patrik Berger. The track showcases the unique storytelling ability of Sebastian Murphy, who shares a childhood memory of visiting the zoo and a humorous mishap involving his teeth falling out during a fancy restaurant date. Murphy’s raw and unfiltered delivery adds an authentic and personal touch to the song.
Grismask, composed of Isak Hedtjärn on clarinet, bass clarinet, alto sax, and flute, Patric Thorman on electric bass, Eric Carlsson on drums, and Sebastian Murphy on vocals and artwork, brings together a collective of musicians who are hailed as either the worst or the greatest, depending on individual taste and intelligence. Hedtjärn’s debut as a flutist complements the tooting, screaming, and whispering on clarinet and saxophone, creating a cacophony of intriguing sounds and melodies. Thorman’s hallucinogenic bass riffs add a mesmerizing depth, while Carlsson’s percussive mayhem elevates the track to another level. The improvisatory genius of Murphy completes the symbiotic relationship between voice and instruments, creating an experience where words and sounds are equally important and yet meaningless.